Pelin Tan

  • The Silent University

    The Silent University

    Towards a Transversal Pedagogy

    Florian Malzacher, Ahmet Öğüt, and Pelin Tan

    The Silent University, initiated by artist Ahmet Öğüt in 2012, is an autonomous platform for academics who cannot share their knowledge due to their status of residence, because their degrees are not recognized or regaining access to academia is blocked for other reasons. It is a solidary school by refugees, asylum seekers and migrants who contribute to the program as lecturers, consultants and researchers.

    The Silent University proposes a new institution outside of the restrictions of existing universities, migration laws and the other bureaucratic or juridical obstacles many migrants face. At the same time it mimics the idea of exiting universities, using their representational logics by developing alternative structures of pedagogy beyond border politics, race/ethnicity and normative education.

    This first comprehensive publication about the Silent University introduces the initiative and contextualizes it in the wider framework of both radical pedagogy and socially engaged art projects. In addition, all current branches of the Silent University—in Amman, Athens, Hamburg, London, Mülheim/Ruhr, and Stockholm—describe their very different achievements as well as their struggles and failures.

    The book contextualizes this initiative within a broader picture of migration policies, critical pedagogy, artistic involvement and institutional engagement. It also hopes to be an introduction for all those who might want to get involved in the Silent University—as contributors, lecturers, students in the existing branches, or by initiating new SUs wherever they are needed: a need which is becoming urgent in more and more cities and countries all around the world.

    This book is published as an edition of Impulse Theater Festival, which initiated the foundation of Silent University Ruhr in Mülheim in June 2015.

    ContributorsFlorian Malzacher, María do Mar Castro Varela, Chantal Mouffe, Ahmet Öğüt, Rubia Salgado, Pelin Tan, and the Silent Universities in Amman, Athens, Hamburg, London, Mülheim/Ruhr, and Stockholm

    • Paperback $25.00

Contributor

  • (How) do we (want to) work (together) (as (socially engaged) designers (students and neighbours)) in neoliberal times)?

    (How) do we (want to) work (together) (as (socially engaged) designers (students and neighbours)) in neoliberal times)?

    Design Support / Öffentliche Gestaltungsberatung 2016–2021

    Jesko Fezer, Studio Experimentelles Design, and Claudia Banz

    Studio Experimentelles Design's politically and socially committed approach through lectures, research, conversations, and project documentation.

    With today's increasing income disparity, forced global division of labor, and neoliberal expansion of precariousness, a critical discussion about work is looming—even in the field of design. Since 2011, the Studio Experimentelles Design at the University of Fine Arts in Hamburg has experimented with local design support as a contemporary practice. The student-led program advocates a community-based, cooperative approach to design. In the summer of 2020, the Kunstgewerbemuseum Berlin Design Lab #6 hosted Studio Experimentelles Design's online research festival “(How) do we (want to) work (together) (as (socially engaged) designers (students and neighbors)) (in neoliberal times)?” The studio invited friends, experts, and activists to discuss self-organizing academia, artistic collectivism, care work, and creative self-exploitation. Over three weeks, talks, performances, and readings explored alternatives to the formal economy, immaterial labor in the context of aesthetic capitalism, the issue of the art strike, alienation, and new subjectivities.

    Divided into two parts, this compendium chronicles Studio Experimentelles Design's politically and socially committed approach through lectures, research, conversations, and project documentation from the online festival and five years of studio work. Both the festival's debate about working conditions and the studio's practice critically examine the imperative of committed designers today to radically reorient their approach, the content of their work, and their relationship with the actors for whom they design.

    • Paperback $26.00