What, How & for Whom/WHW

What, How & for Whom/WHW (established 1999) is a curatorial collective whose members are Ivet Ćurlin, Ana Dević, Nataša Ilić and Sabina Sabolović, along with designer and publicist Dejan Kršić.

  • Artistic Ecologies

    Artistic Ecologies

    New Compasses and Tools

    Emily Pethick, Pablo Martínez, and What, How & for Whom/WHW

    An inquiry into the current ways of knowing, their ramifications, and institutional and noninstitutional artistic practices that provide channels for education from below.

    Artistic Ecologies: New Compasses and Tools aims to both analyze and speculate about potentials of artistic ecologies, collective learning, and engaged pedagogies to engender new institutionalities. 

    Going beyond tensions between individuals and institutions, Artistic Ecologies examines avenues for collective learning. If learning for life is emancipation—understood not just as a matter of power but of freedom—the essential question that emerges is: What knowledge makes us free and how can institutions help produce it? In search of an answer, this publication's textual and visual contributions explore sites and practices through which new institutionalities can emerge.

    Artistic Ecologies comprises essays analyzing current ways of knowing and their ramifications (Marina Garcés, Yayo Herrero and Pirate Care) and portraying alternative ways of forming knowledge through institutional and non-institutional artistic practices (DAAR—Decolonizing Architecture Art Research, Yael Davids, Max Jorge Hinderer Cruz, The Sensing Salon). Artistic contributions in various formats—poems, drawings, visual essays—by Luna Acosta, CAConrads, Eva Ďurovec, Teuta Gatolin, Margherita Isola, and Jammers illustrate heterodox channels for questioning the dominant forms of knowledge and educating from below.

    • Paperback $27.95
  • Želimir Žilnik

    Želimir Žilnik

    Shadow Citizens

    What, How & for Whom/WHW

    Explorations of the radical film praxis and extensive oeuvre of filmmaker Želimir Žilnik.

    Shadow Citizens offers insights into the radical film praxis and extensive oeuvre of filmmaker Želimir Žilnik (b. 1942). Since his beginnings in the lively amateur film scene of Yugoslavia in the 1960s, Žilnik has made more than fifty films, often in the genre of docudrama. Many of Žilnik's films have anticipated real-world events—the dissolution of Yugoslavia, the economic transition from socialism to a neoliberal order, the annihilation of workers' rights, and wider social erosion related to labor and migration.

    The title, Shadow Citizens, reflects Žilnik's lifelong focus on invisible, suppressed, and under- and misrepresented members of society. As a concept, “shadow citizens” is related to “amateur politics” as a form of political engagement—the imaginative and subversive non-normative knowledge and alternative sensibilities that lie dormant but occasionally push back against politics as usual. Courageous amateurism is prominent in Žilnik's films, both as a concept and as a method, and the texts in this book elaborate on the potential of shadow citizens and the pressures of the amateur undercurrent in emancipatory politics and artistic production. The notion of shadow citizens, conceived as different minorities that are increasingly becoming majorities everywhere, runs through Žilnik's oeuvre, where it is used to imagine a new concept of citizenship that pushes current limits and borders.


    Boris Buden, Greg de Cuir Jr, Ana Janevski, Dijana Jelača, Edit Molnár, Bert Rebhandl, Marcel Schwierin, WHW, Želimir Žilnik

    • Hardcover $34.95
  • Art and the F Word

    Art and the F Word

    Reflections on the Browning of Europe

    Maria Lind and What, How & for Whom/WHW

    From 2012 to 2014 a series of contemporary art exhibitions, events, and participatory forums organized by Galerija Nova, Tensta konsthall, and Grazer Kunstverein comprised the project “Beginning as Well as We Can (How Do We Talk about Fascism?).” Focusing on the startling increase of nationalism across Europe—made palpable in manifestations of fascist tendencies and the cult of heritage—the project points to the possibility and power of art to imagine futures that are not irrevocably determined by the present, but are invested with struggles fought here and now.

    Art and the F Word: Reflections on the Browning of Europe, edited by curator Maria Lind and the collective What, How & for Whom/WHW, continues the debate with contributions by cultural critics, curators, and artists, which articulate resistant and constructive possibilities of social and artistic production—investigating the language of politics and philosophy and also popular vocabularies, social contexts, media, science, and aesthetics. The exhibitions featured here, which form an essential part of the overall project, test the potential of aesthetic experience to question reality and upset the ideological complacency and political resignation that lead to a loss of control over the direction of social transformation.

    Copublished with Tensta konsthall and What, How & for Whom/WHW

    ContributorsLawrence Abu Hamdan, Petra Bauer & Sofia Wiberg, Barnabás Bencsik, Boris Buden, Maria Lind and Tensta konsthall, Jelena Vesić, What, How & for Whom/WHW

    • Paperback $27.00